 |
 |
 |
Printable
Article
| Archives: Copyright Corner |
|
|
|
Copyright Corner
Registering works with
the United States Copyright Office – is it a legal
requirement to do so?
By Eric S. Slater, Esq.,
Manager, Copyright, ACS Pubs. Div.
October 2005
I am briefly covering the above question this month,
as I have been asked about this issue a number of times
recently. The short answer is “no,” it is
not a legal requirement to register one’s works
with the United States Copyright Office. Copyright automatically
attaches to a work upon creation by the author (whether
an individual or corporate entity), thus arguably the
main rationale for registration not to be required.
It is highly recommended, however, that works be
formally registered with the United States Copyright
Office (note that registration may be made at any time
within the life of the copyright). There are several
reasons why registration is a smart idea, as explained
below. By the way, the ACS Publications Division registers
all the works it publishes (as do most publishers and
copyright owners), and by doing so, the ACS and its
authors are protected in the following ways under United
States Copyright Law (Title 17 of the United States
Code):
- To obtain statutory damages and attorney’s
fees – Statutory damages are the damages a copyright
owner may be awarded under the law itself. This and
item #4 below are probably the best reasons to register
a work. Not doing so precludes the copyright owner from
obtaining statutory damages, although the copyright
owner may be eligible for only actual damages and profits.
A copyright notice just by itself will not permit a
claim for statutory damages. This pertains to registrations
made within 3 months after publication of the work or
prior to an infringement of the work.
- For evidentiary weight – Helpful in litigation
to establish prima facie evidence both of validity of
the copyright and facts stated in the copyright certificate
issued by the United States Copyright Office upon registration.
This pertains to registrations made before or within
5 years of publication.
- For constructive notice – Documents recorded
in the United States Copyright Office are given constructive
notice of the facts stated in the recorded document.
This essentially establishes a public record of the
copyright claim – to put the world on notice that
an individual or entity owns copyright to the work.
- To institute an infringement suit – Works
of US origin must be formally registered before an infringement
action can commence. Definitely a good reason by itself
to register the work! This item goes hand-in-hand with
item #1 above as why one should register his or her
work.
- To cure omission of notice – If the work was
published without a copyright notice (pertains to works
published between 1978 and March 1, 1989).
- For commercial reasons – A registration certificate
may be required for business dealings such as licensing,
collecting royalties, and others.
The above are discussed in The New & Updated
Copyright Primer: A Survival Guide to Copyright and
the Permissions Process. Copyright 1997, 2000 Association
of American Publishers. See http://www.publishers.org/about/primer.cfm
for information on how to order this excellent copyright
and permissions resource, which also details how to
apply for registration.
See also the United States Copyright Act itself,
http://www.copyright.gov/title17/,
specifically Chapter 4, Copyright Notice, Deposit, and
Registration, http://www.copyright.gov/title17/chapter04.pdf.
The United States Copyright Office Website also explains
the fee structure for registration of works, as well
as which forms to use, and how to navigate the registration
process. For most types works, the fee is $30 per work
– surely an in expensive investment to obtain
complete legal protection for the work.
Printable
Article
|
 |